GWS Essay: “Weird Al” Yankovic and Literary Citizenship

Ladies and gentlemen, I had a fascinating Sunday, October 20th.  I am the kind of person who is lucky enough never to have a day off.  Even if I’m not teaching a class or “working” on a specific day, I’m still working.  Grading papers.  Finishing stories.  Figuring out what I want to do with a novel that will likely never be published.  Writing essays for GWS or making audio recordings for a literary podcast that is kind enough to like my stuff.

After I had already written a GWS essay, I came across this link in one of my social media feeds: Cathy Day’s principles of Literary Citizenship.  Ms. Day (accessible on Twitter @daycathy) reminds all of us…and that means ALL of us that we are charged to fulfill some responsibilities in exchange for being part of the literary community.  Or the artistic community.  Or an American.  Or a human being.  The blunt and simple truth is that we ALL benefit from storytelling and from music and from visual art, even if we don’t know it.  Shoot, even I will admit that we’re all part of the fashion scene, even though Tyra Banks would die from laughing if she saw me.  (Clothed or unclothed, I suppose.)  If you need to be convinced, take a look at this scene from The Devil Wears Prada.  Fantine learns that she’s a part of the fashion world, even though she thinks she’s a proud agnostic:

Ms. Day is very polite about it: if we love literature, we all need to be good literary citizens.  How can we do so?  I’ll address each of her sensible points.

  1. Write “charming” notes to writers.  This is an overlooked part of our culture in spite of the technological advances that make communication “easier.”  I have reviewed literary journals for quite some time and some writers have written to thank me for the kind words I had to say about their work.  Not only do I like those writers more, but they gave me a happy jolt when I saw their e-mails.  As the Headmaster/Lord High Executioner/Dictator of Great Writers Steal, I have had the extreme pleasure of contacting writers whose works I’ve examined…I think they truly appreciate having critical attention focused on their work, which was part of my intention in the first place.
  2. Interview writers.  Well, it took me a while to do this one on GWS, but I finally did so and plan to do more.  Not only did I LOVE reading Odd Men Out by Matt Betts, but I found him to be an awesome guy.
  3. Talk up (informally) or review (formally) books you like.  I do this all the time.  Not on Goodreads or Amazon, but on a personal basis with students and people I meet who eventually regret meeting me.
  4. If you want to be published in journals, you must read and support them.  Ms. Day is right.  The editors of lit journals don’t drive Maseratis.  If you want PBS to be around, you need to support it.  If you want lit journals to be around, you need to support them.
  5. If you want to publish books, buy books.  I don’t want to talk about how many books I buy.  I also don’t want to talk about the fact that, depending on who you believe, nearly half of all college graduates never read another book.  Hey, but at least Honey Boo Boo and Duck Dynasty and Kalexander Kardashian are doing okay.
  6. Be passionate about books and writing, because passion is infectious. I agree with this point, too.  So many people are passive passive passive.  They can’t do anything because they can’t do anything.  They want time to read, but they need to watch Ms. Boo Boo and Mr. Dynasty instead.  Once you break through a person’s shell, they start to get excited.

So.  How does all of this relate to “Weird Al” Yankovic, one of my first heroes in writing and comedy?  I was looking over a story-wish me luck with it-when I noticed this tweet come through the GWS Twitter feed:

If you’d like to chat, I’ll be at this number for the next 15 minutes. http://t.co/NWfVYP7I1V

— Al Yankovic (@alyankovic) October 20, 2013

The URL led to this image:

weirdalThat’s right…”Weird Al” Yankovic was standing at an airport pay phone, ready to talk with fans.  I dialed once: busy.  Twice: busy.  I fixed a few paragraphs of my story and called again: busy.  So I tried again…there was a pause.  Then a familiar voice said, “Hello?”

My years of improv comedy served me well.  I told Mr. Yankovic (one must be formal with the creative mind behind works such as “One More Minute,” of course) how long I had been a fan and how I’ve seen his film UHF a thousand times.  I told him that, as much as I love his parodies, his original songs are far closer to my heart.  Best of all, I told him that I even included him on Great Writers Steal.  See?  I wrote about “You Don’t Love Me Anymore.”  

I knew that Mr. Yankovic had plenty of other fans who wanted to speak with him, so I let him get onto other folks, but not before I made him laugh by suggesting he use some Purell after using a public pay phone.

So I spoke to Mr. Yankovic for less than a minute, but that brief experience was a pretty cool gift.  And I’m guessing that he enjoyed hearing other fans drip praise in his ear for the quarter of an hour before he had to go through airport security.  And what wonderful synchronicity; I read Ms. Day’s essay on the same day that I got to fulfill her #1 requirement for literary citizenship.

Perhaps there’s a corollary that applies to greatly successful writers:

Be available to your fans and those who would like to send you “charming” notes.

Now, I love Stephen King, but I don’t have any access to the gentleman.  One can certainly understand why he might not stand out on a streetcorner with a sign that says, “I’m Stephen King.”  I suppose that a “charming” note sent to his publisher might get to him…but he’s a busy guy.  Mr. King, however, has done an AMA for Reddit.

Social media offers powerful opportunities for “prominent” writers to receive the kindnesses that we’re all responsible for sharing.  Maybe you tweet at Joyce Carol Oates…and once in a while, maybe JCO will tweet you back.  In the course of my near-year of doing GWS, I’ve sent my share of “charming” notes to writers whose books don’t yet occupy an entire shelf in the library; it’s a pleasure to focus critical attention on writers and works that may be otherwise overlooked, and I enjoy receiving kindness in return.  (Though I do long for the day when up-and-coming writers receive as much attention as that Duck Dynasty guy.  What kind of a name is “Duck” anyway?)

So I had a good Sunday.  I finished a short story, did a bunch of other things and got to tell one of my favorite writers what I think of him.  Being a good literary citizen is quite fulfilling!


Don’t worry; I won’t leave you hanging.  Enjoy some cool tunes from Mr. Yankovic’s VEVO channel.

“Close But No Cigar” is an awesome song and the video was directed by John K.!

I’m pretty sure that Mr. Yankovic was thinking about me and my romantic history when he wrote this song:

Gotta love the Beach Boys sound of “Pancreas.”

2 thoughts on “GWS Essay: “Weird Al” Yankovic and Literary Citizenship

  1. Regarding writing charming notes to writers: at some point in the 80s, I had an idea about a high school course based on Herman Wouk’s Winds of War / War and Remembrance duo (I wasn’t going to let a little thing like lack of any teacher certification get in my way, I loved the books, felt they’d make a great history/literature mashup). This was before email, so I wrote Mr. Wouk and gushed, made some comments about my concept, asked some questions about the eventual fate of a particular group of characters, and made brief mention of a scene from the recent TV miniseries that, in contrast to the overall true adaptation, was completely out of place. I received a lovely typewritten letter from him - I’m fairly certain it was from him, not an agent or secretary - answering my question, applauding my idea for the course, and venting his frustration at the same scene I’d mentioned, how he was quite unhappy about that. I have the letter in my “treasured possessions” file. I have a few other letters from authors, all written to their publishers; I had no idea what I was doing, and lo and behold, a couple of quite successful suspense authors (Jonathan and Faye Kellerman) replied kindly and specifically to comments in my letters. I received a rather canned note from Miss Manners’ assistant, and no reply at all from Patricia Cornwell. There were a few more, but those are the only ones I remember.

    I don’t know why I got it in my head to write to authors, or why I stopped (that all took place in the course of a few months), but it was a lot of fun, and I’ve felt great fondness for my correspondents ever since. And, let it be noted, I bought more of their books.

    • Aw, what a nice story! I think that writers are an interesting bunch. Unlike actors, we toil in isolation. It has indeed felt really good on the occasions when strangers have been kind enough to tell me nice things about my work.

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