Wanda E. Brunstetter, Jean Brunstetter, and Richelle Brunstetter’s THE BELOVED CHRISTMAS QUILT and Imbuing an Object With Meaning
Three generations of an Amish family. One precious quilt. Continue Reading
Three generations of an Amish family. One precious quilt. Continue Reading
Several months ago, I was briefly a guest at the fictional Troyer farm, where Heidi and Lyle offer you their hospitality and their love of humanity. Their farm is a calm and peaceful place: plenty of sunshine, plenty of nature. Yes, things sometimes go wrong for the Troyers and the people around them, but there are no politics. People are focused on growing in love for others. They want to nourish their bodies, hearts, and minds.
Well, ladies and gentlemen, Heidi is teaching more of her famous cooking classes. Wanda E. Brunstetter was kind enough to chronicle what happened in her new book, Amish Cooking Class: The Blessing. Here’s the book trailer.
When the first book ended, Heidi was expecting to adopt the child of one of her students. At the beginning of this book, Kendra has changed her mind. Heidi is understandably disappointed, but decides not to dwell on her grief. The formula holds; there are six more students, including a caterer and a food critic, a wife who feels neglected, and a teenage girl whose mother took off. Do I even need to say that Heidi and her six students will have meaningful experiences that bring them closer to each other and to their faith?
The great charm of this novel (and of many Amish inspirational romances, however you wish to label them) is that the conflicts are very meaningful to the characters, but everything usually works out. The characters are sometimes cross with each other, but always in a relatable manner that doesn’t kick up too much of the reader’s own psychological pain. Ms. Brunstetter offers us a passage into another world, where we can escape…all of the things.
Ms. Brunstetter also takes her time. Her prose is always clear, and she often explains things that don’t need to be explained. I sometimes wonder what an MFA workshop might say about the prose. (MFA workshops, of course, are also known as the “Circle of Love,” so dubbed by the great Lee K. Abbott.) Some might say that there are “inefficiencies” in the prose. I contend that the prose fits the tone of the novel and the story its author is trying to tell.
Here’s an example. It’s the very first paragraph, in fact:
Loving and good-hearted workshop members may wonder:
There are a lot of examples of this kind of prose, and I make the case that the “inefficiencies” are a great benefit to the book. Ms. Brunstetter’s novel, it seems to me, has two goals, give or take:
When you consider these goals, the “inefficiencies” are anything but. Why do Amish people use buggies instead of cars? So they can devote more thought and time to hard work and faith. (Among other reasons.) The Blessing is not the kind of book in which the author wishes to experiment with narrative or to force the reader to do a lot of work. No, Ms. Brunstetter wants the book to be a happy comfort, and her prose style helps her achieve that goal.
Amish Cooking Class: The Blessing is a welcome return to Walnut Creek. Ms. Brunstetter avoids the pitfalls of writing the second book in a series; this one is sufficiently different from the first to remain interesting though it follows the same formula. The reader finds themselves pulling for all of the characters because we can all relate to their concerns in one way or another. (We want our significant others to love us, we want to fulfill our need to nurture, we sometimes struggle with forgiving those who have abandoned us…)
There are many great writers in the Amish genre, and Ms. Brunstetter is one of those near the top. If you’ve never read in the genre, consider giving this or another of her books a try.
BONUS: Here is a great talk that Ms. Brunstetter gave to a library gathering. She is not the same kind of writer as we hear in the “MFA crowd,” and that is a good thing. She is very much a writer and storyteller, and we would all benefit from understanding more of the industry that we inhabit. (Or to which we aspire.)
Hey, everyone. It’s time to be a little bit jealous of Wanda E. Brunstetter. But not too jealous; that would be a sin. Ms. Brunstetter has published a lot of books and has a devoted audience for her Amish inspirational romances. I know many people aren’t literary omnivores, but I love reading all kinds of books, even though I’m not exactly in the stereotypical demographic for these kinds of novels. Still, Ms. Brunstetter has a lot to teach us. More importantly, she writes fun books and fulfills every promise she makes with her books.
The novel is centered upon the farm of Lyle and Heidi Troyer. They are a proud Amish couple–but not too proud; that would be a sin–who have a beautiful place in Ohio. Lyle is an auctioneer and Heidi decides to make a little money and to share her gift with others by teaching a weekly cooking class.
I guess I’ll introduce the first lesson here…Ms. Brunstetter very wisely came up with a conceit that allows her to put a bunch of drama-prone characters together. Think about it. While Heidi Troyer is a very calm and dignified woman who has most everything figured out, she surrounds herself with people who have far more problems than she does. Ron is a Vietnam War vet who ends up camped on the Troyer property when his RV breaks down. Kendra is pregnant and her family has turned her away, not that doing so will stop the baby from arriving. Eli lost his wife and is looking for companionship. See? All of these people have discernible problems and needs. Guess what? Ms. Brunstetter allows the characters to grow and change based upon their interactions and their own internal struggles. (And maybe Heidi has her own problem that needs to be solved…)
We certainly can’t fashion every single one of our stories in this way, but creating a nexus of conflict and drama is a time-tested tactic for teasing trouble out of our characters. Here are some examples:
Heidi’s Amish cooking class offers Ms. Brunstetter near-inexhaustible opportunities to cycle interesting characters in and out of the orbit of the Troyer kitchen. This seems to be the plan, as The Seekers is Book One of a series…
This is an Amish inspirational romance-type book, so you know there won’t be any of the flashy kinds of conflict on offer. The international spy rings, serial killers and terrorist attacks will appear in other kinds of books. Still, Ms. Brunstetter allows her characters to be unpleasant, particularly in the context of the genre and story. Ron, the Vietnam vet, repeatedly lies to the Troyers and takes advantage of their hospitality. He even steals from his hosts. Kendra made “one little mistake” and got pregnant out of wedlock. Ms. Brunstetter does not examine these themes in the same manner as writers in other genres might do, but she is still allowing her characters to misbehave and to do things that the Christian characters shouldn’t do. The principle applies to characters in all genres. On occasion, I read YA books in which the teenagers are impossibly polite and respectful of the opposite sex. Not only does this kind of attitude pose problems creating drama, but it’s also not realistic.
Those who write Amish books have a problem that is easily transferable to all other authors who include other languages in their work. The Amish are generally fluent in Pennsylvania Dutch and the language is a very important part of their culture. (As it is for every culture.) Ms. Brunstetter has an obligation to include the language in her dialogue–the characters would use these words!–but she must also ensure that the audience knows what she’s talking about. Let’s take a look at an example of how the author handles this problem:
See what she does? She italicizes the word the reader probably won’t know and then defines it in the following line of dialogue. We were already told that Lyle is married to Heidi, so we know fraa = wife. Kichlin = cookies. There are other ways to handle the problem, but this is one.
I’ve read a few of Ms. Brunstetter’s books, and The Seekers is as fun as the others. The world that the author creates, this Amish version of Ohio, is everything that her readers want it to be. It’s simple. Plain. People still have conflicts, but they resolve them calmly. (And with the help of God, as her target readers expect.)
The great strength of this book (and of so many others in the genre) is that the authors make promises to the reader and keep them. Ms. Brunstetter promises the reader in this case, that they will learn about Amish food, they will see characters solve their problems together and with the help of their religion and that the book will be a calm and unobjectionable read that has a discernible conclusion that wraps everything up. (Aside, of course, from the story strands that will likely be taken up in subsequent books.)
I don’t know how many Great Writers Steal writers have given the Amish inspirational genre a chance, but they should. A writer must have a balanced reading diet.