Logan and Brooke had crushes on each other during high school, but never told each other how they felt. A decade later, they have an improbable meeting in the Caribbean and engage in a steamy love affair that may just turn into something more…
Giving it All is Book 3 of 4 in Christi Barth‘s “Naked Men” series. (Purchase at Amazon or Barnes and Noble or through your local indie store.) The “Naked Men” are occasionally naked in literal terms, but the title refers to the blog set up by the male protagonists. The Naked Men are friends and help each other through their problems. Will Logan and Brooke share a HEA (Happily Ever After)? Time will tell, but there will be a lot of hot lovemaking before we find out.
I don’t know how many of my readers or friends have picked up a romance novel recently, but I maintain that we are all missing out if we don’t work them into our balanced reading diet. They’re fun! And why are they fun? Because the author is focused on making sure that the reader is having a good time. He or she makes some very clear promises and (one hopes) fulfills them. As I pointed out in my GWS essay about Wendy S. Marcus’s The Doctor She Always Dreamed Of, the narrator in a romance novel can add greatly to the fun. Ms. Barth uses her narrator to great effect in Giving it All.
No matter what you write, the narrator’s persona must fit the purpose of the work. Or as Hamlet said, “suit the action to the word, the word to the action.” Take a look at the opening of the beautiful but dark and sad Thomas Keneally novel Schindler’s List:
Keneally’s narrator makes it very clear that this will not be a laff-a-minute joy ride. Look at the chauffeur’s joke–“icy as a widow’s heart.” That’s sad. The widow (and the teller of the joke, I suppose) don’t express full empathy and humanity. We are told this is a story about evil. We read “the beast” and “fatal human malice.”
The narrator of Schindler’s List establishes the tone of the book and sweeps the reader along with him or her. Giving it All is a very, very different book (obviously) and deserves a different narrator. And what a fun voice it is!
Ms. Barth’s narrator fits the plot and the characters, doesn’t it? If you’re willing to read a romance novel, you are probably having a good time with this narrator. (If reading about people seeing each other across the room and feeling sexual attraction is a problem for you–Brooke gets her chance–then you probably aren’t going to pick up a romance novel.) The narrator of the book doesn’t stand at a distance; he or she is right beside the reader, acting in the same manner as a person with whom you are sharing guy talk or girl talk. The tone is so much fun and invites you to pretend that a buddy just jabbed you in the ribs and said, “Hey, bro. Isn’t that that cheerleader you had a huge crush on in high school? Shoot. She’s looking good. You should say hi.”
Which is a good way to introduce another reason that Ms. Barth’s book is successful: Giving it All appeals to a universal desire. Didn’t we all have at least one big crush in high school? No matter how happy you are in life, no matter how many years have passed, doesn’t the memory of the proverbial Little Red-Haired Girl or Boy have a place in your heart? Young crush love is very pure. Sure, Brooke and Logan wanted to have sex with each other when they were in high school. But because they were teenagers, their hearts unscarred by life, there was a purity to their feelings. Readers enjoy living vicariously through literary characters…particularly the ones in romance novels. Ms. Barth taps into these common desires, gaining easy access to the reader’s heart.
Giving it All is a satisfying read, not only in the context of the romance genre. Ms. Barth includes plenty of “heat,” as romance people say, but also makes the reader care about Brooke and Logan and their individual problems. Perhaps most impressive (and pleasing), the men in the book feel like men. They speak like men and think like men. Sometimes we love to say cruel things to our friends. Sometimes we are 100% focused on our redhead friend lying beside us. Sometimes we just want to provide for everyone we love.
The book, like the relationship between the protagonists, is not merely a white-hot sexual bacchanalia. It’s also the chronicle of two people falling in love…after a white-hot sexual bacchanalia.
Christi Barth, Loveswept, Romance, Schindler's List
Hey, everyone. It’s time to be a little bit jealous of Wanda E. Brunstetter. But not too jealous; that would be a sin. Ms. Brunstetter has published a lot of books and has a devoted audience for her Amish inspirational romances. I know many people aren’t literary omnivores, but I love reading all kinds of books, even though I’m not exactly in the stereotypical demographic for these kinds of novels. Still, Ms. Brunstetter has a lot to teach us. More importantly, she writes fun books and fulfills every promise she makes with her books.
Check out this book trailer for the first book in The Amish Cooking Class series: The Seekers.
The novel is centered upon the farm of Lyle and Heidi Troyer. They are a proud Amish couple–but not too proud; that would be a sin–who have a beautiful place in Ohio. Lyle is an auctioneer and Heidi decides to make a little money and to share her gift with others by teaching a weekly cooking class.
I guess I’ll introduce the first lesson here…Ms. Brunstetter very wisely came up with a conceit that allows her to put a bunch of drama-prone characters together. Think about it. While Heidi Troyer is a very calm and dignified woman who has most everything figured out, she surrounds herself with people who have far more problems than she does. Ron is a Vietnam War vet who ends up camped on the Troyer property when his RV breaks down. Kendra is pregnant and her family has turned her away, not that doing so will stop the baby from arriving. Eli lost his wife and is looking for companionship. See? All of these people have discernible problems and needs. Guess what? Ms. Brunstetter allows the characters to grow and change based upon their interactions and their own internal struggles. (And maybe Heidi has her own problem that needs to be solved…)
We certainly can’t fashion every single one of our stories in this way, but creating a nexus of conflict and drama is a time-tested tactic for teasing trouble out of our characters. Here are some examples:
- Cheers, the bar from Cheers, is populated by a number of well-drawn characters who unite in one place. Each of them have their own problems and needs and the writers wring drama (and comedy) out of having all of these characters in the same place.
- Rick’s Café Américain from Casablanca is a meeting spot that facilitates conflict. Everyone goes there. The Nazis, the French, ridiculously beautiful refugees played by Ingrid Bergman…everyone. Placing everyone in the same nightclub allows the drama to blossom. (If you haven’t seen Casablanca, please do so. It’s for the best.)
- Eerie, Indiana is the new home of Marshall Teller, a town where all kinds of creepy and cool things happen. The gents who created the TV show, José Rivera and Karl Schaefer, created a place where weird and wonderful things can happen. The show could have (and should have) run forever.
Heidi’s Amish cooking class offers Ms. Brunstetter near-inexhaustible opportunities to cycle interesting characters in and out of the orbit of the Troyer kitchen. This seems to be the plan, as The Seekers is Book One of a series…
This is an Amish inspirational romance-type book, so you know there won’t be any of the flashy kinds of conflict on offer. The international spy rings, serial killers and terrorist attacks will appear in other kinds of books. Still, Ms. Brunstetter allows her characters to be unpleasant, particularly in the context of the genre and story. Ron, the Vietnam vet, repeatedly lies to the Troyers and takes advantage of their hospitality. He even steals from his hosts. Kendra made “one little mistake” and got pregnant out of wedlock. Ms. Brunstetter does not examine these themes in the same manner as writers in other genres might do, but she is still allowing her characters to misbehave and to do things that the Christian characters shouldn’t do. The principle applies to characters in all genres. On occasion, I read YA books in which the teenagers are impossibly polite and respectful of the opposite sex. Not only does this kind of attitude pose problems creating drama, but it’s also not realistic.
Those who write Amish books have a problem that is easily transferable to all other authors who include other languages in their work. The Amish are generally fluent in Pennsylvania Dutch and the language is a very important part of their culture. (As it is for every culture.) Ms. Brunstetter has an obligation to include the language in her dialogue–the characters would use these words!–but she must also ensure that the audience knows what she’s talking about. Let’s take a look at an example of how the author handles this problem:
See what she does? She italicizes the word the reader probably won’t know and then defines it in the following line of dialogue. We were already told that Lyle is married to Heidi, so we know fraa = wife. Kichlin = cookies. There are other ways to handle the problem, but this is one.
I’ve read a few of Ms. Brunstetter’s books, and The Seekers is as fun as the others. The world that the author creates, this Amish version of Ohio, is everything that her readers want it to be. It’s simple. Plain. People still have conflicts, but they resolve them calmly. (And with the help of God, as her target readers expect.)
The great strength of this book (and of so many others in the genre) is that the authors make promises to the reader and keep them. Ms. Brunstetter promises the reader in this case, that they will learn about Amish food, they will see characters solve their problems together and with the help of their religion and that the book will be a calm and unobjectionable read that has a discernible conclusion that wraps everything up. (Aside, of course, from the story strands that will likely be taken up in subsequent books.)
I don’t know how many Great Writers Steal writers have given the Amish inspirational genre a chance, but they should. A writer must have a balanced reading diet.
Amish, Amish inspirational, Romance, Shiloh Run Press, Wanda E. Brunstetter
Friends, every writer has his or her own story and their own unique path to success. As a guy who has been writing seriously for a couple decades and who has immersed himself in the writing world for as long, it’s been a pleasure to learn my craft from writers and work in every genre. I may certainly be incorrect, but I have seen a widening schism between “literary” writers and those who work in genre and other non-“literary” arenas. (What does “literary” mean? Who knows?) We miss out a great deal if we don’t at least dip our toes in the other parts of the storytelling ecosystem. If nothing else, we are missing out because these genres often outsell “literary” work and genre fans are often wonderfully passionate.
I tend not to discriminate; my goal is to be able to enjoy as many stories as I can. That certainly includes the romance genre. I had the pleasure of seeing Wendy S. Marcus give a talk at Oswego State in which she talked about her work and her journey. Ms. Marcus came to writing later in life than I did, but has published far more books than I have and knows a great deal that they don’t (but should) teach in MFA programs. In brief, Ms. Marcus wasn’t a big reader until she picked up a Harlequin romance on a whim and became hooked. After a while, she made that same move every writer has made: she figured she could do better than some of the books she read. So she started putting words down on the page. Once she had built up a support system of critique partners and started sending out her work, she began publishing for Harlequin, Loveswept (Random House) and eventually on her own. Continue Reading
2016, Chasing Amy, Kevin Smith, Oswego State, Romance, Wendy S. Marcus